Velvet Ottoman Hanging.

£330.00

Ottoman Hanging

 

A lovely faded, french blue Velvet Hanging – decorative panel with Metallic thread embroiderey.
This pretty piece has been used and loved with the back cotton being very stained,
(see pic) with the front having some wear, fade and an original repair.
Overall a super decorative piece for any antique interiors.
Istanbul circa 1909
80 cm x 80cm

1 in stock

Description

A bohça is a square or near‑square textile, usually:

  • Made of silk, linen, or fine cotton muslin
  • Embroidered in chain stitch, couching, or metal‑thread work
  • Decorated with floral roundels, tulips, carnations, rosettes, or geometric borders
  • Used as a wrapping cloth for ceremonies — weddings, births, dowries, and gift‑giving

These textiles were often produced in urban workshops such as those in Istanbul (e.g., Nișantaşı), and they share design logic with suzanis: drawn outlines filled with silk embroidery.

Ottoman textiles sit at the crossroads of empire, craftsmanship, and symbolism — a world where silk, gold thread, and bold geometry were used to express power, piety, and prestige. The key idea is that Ottoman textiles were both art and political language, produced with extraordinary technical mastery and used in court life, diplomacy, and everyday culture.

Ottoman textiles encompass the fabrics, garments, embroideries, and woven arts produced across the Ottoman Empire (1299–1922). They include:

  • Silk brocades and lampas weaves from imperial workshops
  • Kaftans worn by sultans and court elites
  • Velvets from Bursa and Istanbul
  • Ikat (çatma / kemha) fabrics
  • Embroidery traditions such as dival, suzeni, and goldwork
  • Carpets and kilims with court‑influenced motifs
  • Everyday cottons and printed textiles (e.g., block‑printed yazma)

These textiles were not merely decorative — they were instruments of diplomacy, status, and ritual.

  • Silk was the prestige fibre, often combined with gold or silver-wrapped thread.
  • Weaving techniques included kemha (brocade), çatma (velvet), and seraser (heavy gold brocade).
  • Embroidery used silk floss, metallic thread, and couching techniques to create raised, shimmering surfaces.
  • Dyes included natural reds (madder, cochineal), indigo blues, and the iconic Ottoman çintemani palette of red, blue, and gold.

The result: textiles with a sculptural, almost architectural presence.

🌺 Motifs and symbolism

Ottoman design vocabulary is rich and codified. Common motifs include:

  • Tulips — divine perfection, paradise, and imperial identity
  • Carnations — abundance and protection
  • Pomegranates — fertility and prosperity